Backstage Library Works catalogers create original, and edit copy, level MARC records that meet the accepted standards, and which are adapted to fit all of your specifications. We can build as simple or as rich a collection of metadata as suits your library’s needs, working from original materials or digitized surrogates. Our projects have varied in scope over the years: a gift collection that simply needed brief records with some local notes ahead of a museum exhibition; regularly accessioned DVDs in Korean and Japanese that arrive at our office a few times a year for full-level cataloging; books that are sent to us straight from the publisher and that receive partial-cataloging and physical processing, shipped to the library ready to hit the shelves.
We know that every project is different. The most important part of starting any new cataloging project is, first, to make sure we know you and your collections. It’s important that our records follow your institution’s existing guidelines for MARC and other metadata.
The only notable restriction relates to the cost per invoice, which must be a minimum of $150. Otherwise, it’s very common for libraries to set up projects that support only a few titles cataloged per year, sent to Backstage as they’re acquisitioned, in small batches. Libraries sending work in small batches will coordinate with their assigned Backstage Project Manager to provide updates about work-to-be-sent.
For very large collections, we will typically complete the work in batches. Smaller collections, such as those under 300 items, may be completed all at once.
If desired, records can be delivered either in batches or all at once following the conclusion of a project. While work will be invoiced regularly, the frequency that your library receives batches of records and materials back is largely up to you.
The following list, divided by language group, covers all of our primary cataloging language proficiencies. Not seeing what you need? Contact Us and we’ll see if we can track down another option for you.
English
African: Niger-Congo languages
Afro-Asiatic: Arabic, Hebrew, Amharic, Tigrinya
Altaic: Mongolian, Turkish, Ottoman Turkish, Turkic
Austronesian: Tagalog, Malaysian (Malay), Indonesian, Hawaiian
Baltic: Latvian, Lithuanian
Basque
Celtic: Welsh, Scots, Irish Gaelic, Breton
Chinese (Mandarin, Cantonese), Japanese, Korean
Dravidian: Tamil, Telugu, Malayalam
Finno-Ugric: Estonian, Finnish, Hungarian
Greek, Albanian, Armenian, Caucasian, Georgian
Indic: Bengali, Gujarati, Hindi, Marathi, Punjabi, Sanskrit, Urdu
Indo-Iranian: Nepalese, Oriya, Persian (Farsi)
Mayan languages
Romance: French, Italian, Portuguese, Romanian, Spanish (and Bilindex headings), Catalan, Galician, Provençal, Latin
Scandinavian: Danish, Swedish, Norwegian, Icelandic, Faroese
Sino-Tibetan: Burmese, Tibetan
Slavic: Belarusian, Bosnian, Bulgarian, Church Slavic, Croatian, Czech, Macedonian, Polish, Russian, Serbian, Serbo-Croatian, Slovak, Slovenian, Ukrainian
Tai-Kadai: Thai
Vietnamese
Western Germanic: Dutch, German
Yiddish, Ladino
Yes! In fact, there are several solutions available. At Backstage, we refer to this process as ‘cataloging from surrogates.’ We have a guide that outlines the different scans our team would need to catalog a great full-level bibliographic record.
In order to provide cataloging of equivalent quality to that generated with materials in hand, there is a minimum requirement of what pages and information must be collected in a surrogate reproduction. You can download the guide from our blog which describes the process in more detail.
Absolutely! Clear guidelines on how and when local notes should be added, to include desired field and subfield structure, are all that we need to implement local headings or subject terms.
This is going to depend on a lot of factors, including the current cataloging queue and the depth of cataloging or physical processing involved. During the quote process, you can request that we provide a general timeline for your project that includes expectations for when materials arrive at our offices. Certain languages have longer queue times than others.
What can a library or archive do to help ensure materials arrive at their destination well organized, safe, and ready to be processed, besides provide surrogates?
Photographing digital “facsimiles” of materials – or as we colloquially say at Backstage, “surrogates” – can be a useful workflow for a variety of situations faced in the technical library setting.
Many materials coming out of the Cooperative Acquisitions Program are non-English with portions even non-Roman and require a flexible processing solution.
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